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Favorite Albums of 2018

So, last year I somehow did not do my favorite album list. I apologize profusely. I’ll never know how to make up for it. Anyway, here’s my favorite albums of 2018. Number 20-11 will only be the name and a video, the top ten will have a few comments by me in addition to a video or two. Let me know in the comments what’s right and wrong about my list, what albums I missed, etc. Let’s go.

20. The New Respects – Before the Sun Goes Down

 

19. Jason Mraz – Know.

 

18. Florence + The Machine – High as Hope

 

 

16. Nathaniel Rateliff & the Night Sweats – Tearing at the Seams

 

15. Punch Brothers – All Ashore

 

14. The Suffers – Everything Here

 

13. Logic – YSIV

 

12. Lady Gaga & Bradley Cooper – A Star is Born Soundtrack

 

11. The Milk Carton Kids – All the Things That I Did and All the Things That I Didn’t Do

 

10. Lucy Dacus – Historian

Yay, I finally get to talk about some music. I listened to Historian solely because of the name while looking at new releases one Friday. It took less than 7 minutes (the length of the first track) for me to realize this was something special. The heartbreak, the darkness, the hope, the light. The whispers and the screams. The loss of loved ones and the escape from others. All emotions, all of life was encompassed in these songs. The album was released in March and even though we don’t deserve more, she released an EP with her supergroup including Julian Baker and Phoebe Bridges: boygenius. Well, let’s hear a song. Here’s “Night Shift”, the opening track I mentioned before. If you have 7 minutes to spare, listen to the whole thing. You won’t regret it.

 

9. Noname – Room 25

I first learned about Noname because of her verses on the last Chance the Rapper record. I didn’t know you could be so understated and calm while rapping some of the most intense lyrics around. I quickly listened to her first album and watched all the live videos on YouTube, especially her Tiny Desk Concert. Her vibe is consistently chilled. Her words are not. Here’s the second track of Room 25 titled “Blaxpoitation”:

 

8. MAJOR. – Even More

This dude is criminally underrated.  Classically trained vocalist for opera and stage, MAJOR. has a powerful voice that would be perfect singing anything. Secretly, I want him to play George Washington in Hamilton on Broadway (call me Lin-Manuel). MAJOR.’s debut album, Even More, is upbeat and poppy. It’s a lot of fun from beginning to end. He borrows influence from soul, R&B, theater, pop and hip-hop. There’s world beats mixed in. He tends to make big, bold statements about himself and what the world needs. For example, here’s how he introduces the album:

Even More is my official statement to the world that hope in love, culture, and our future is not lost. Like my heroes Michael Jackson, MLK, & Stevie Wonder, I’ve accepted the charge to bring fearless love through every lyric, melody, & moment. The world is hurting. Even More is the solution.”

Let’s listen to “Honest”:

 

7. Cardi B – Invasion of Privacy

Being one of the biggest surprises of 2018, Cardi B’s debut studio album released to impressive critical acclaim and commercial success. Cardi B just has this presence that you can’t explain. Any verse from her is infectious. You’re required to listen. Whether you’re laughing or you’re shocked or even confused, you are still glad you did listen. NPR’s Ann Powers said it best: “She walks into a song and it changes.” It can be Maroon 5’s pop, Bruno Mars’ throwback funk or her own hip-hop. It doesn’t matter, she was meant to be there. The best example, “I Like It”, has her traveling between trap and salsa and R&B and hip-hop:

 

6. St. Vincent – MassEducation

Usually, I’m not a fan of most acoustic or stripped down albums. If you write an album with a full band, I wanna hear it with a full band. More often than not, these types of albums bore me. St. Vincent’s album MassEducation is an impressively lovely exception to this rule. In 2017, St. Vincent released one of the best albums of the year, Masseduction. Dark, sexy and infectiously poppy, I loved it. But when she stripped all the instruments and beats away and slowly sang the same songs over a piano, everything took a whole new meaning. The cute became sinister. The smiles became pain. Levels of emotion and sadness came out of the lyrics that were almost washed away behind the glitzy production of the original. Here’s a live performance of “Savior” stripped down to just a piano and her voice:

 

5. Ariana Grande – Sweetener 

2018 was the year of Ariana for all the right and wrong reasons. She showed strength and resilience after 2017’s horrific bombing at her concert in Manchester. She experienced heartbreak with the end of her relationship with Mac Miller, happiness with her dating and engagement to Pete Davidson then (I’d imagine) indescribable sadness with Mac Miller’s overdose and untimely death in September. The next month her and Davidson’s engagement was called off. In the midst of all the drama, she released an incredible album, Sweetener. This sugary, intimate album is a perfect snapshot of this time. She teaches us how to see the light in darkness, how to breathe during the pain, how to love the unlovable. And none of this touches on “thank u, next“, the sweetest breakup song ever.  But let’s listen to “breathin”:

 

4. Janelle Monáe – Dirty Computer

NPR’s number one album of 2018 and for good reason. This afro-futuristic, pop and funk perfection has everything: catchy melodies, woman empowerment, funky guitars, political jabs, sexual fluidity, black empowerment, anger and harmonies, love and science fiction. And on top of all this, she also released a 50 minute “emotion picture” to accompany the album. Every song on here is damn near perfect so I’m having a hard time picking which to show you. Do you want pop? Or hip-hop? Let’s just keep it sexy with this Prince-inspired anthem, “Make Me Feel”:

 

3. Leon Bridges – Good Thing

I feel like this is the forgotten album of 2018. When the best of lists started coming out, this one was missing from most (if not all). And as you can see from my high placement, I have no clue why. Leon Bridges was able to get everything that made his debut incredible and bring it into the modern world. He brought his unmistakable voice and vibe into today’s R&B, soul and pop. And he did it all while still looking like the 1950s dressed him. I’m mad at all y’all that aren’t listening. Remedy this, quick. “If It Feels Good (Then It Must Be)”:

 

2.  Rosalía – El Mal Querer

I’m so happy to have found Rosalia this year. This Spanish singer seamlessly combines flamenco and pop music. Her traditional vibrato singing intertwines with trap beats, flamenco claps and Spanish guitars. She samples modern music like Justin Timberlake while telling the 13th century story of a woman accused of infidelity. El Mal Querer is a drastic shift from her debut album, a collection of flamenco classics performed with Raul Refree. I don’t speak Spanish and don’t want to translate songs so I have to guess what the songs mean based on the emotions portrayed by her voice. Frankly, it isn’t too hard. Enough with words, here’s “Di Mi Nombre”:

 

I mentioned sampling Justin Timberlake earlier. The next song has a Spanish version of “Cry Me a River” as the foundation. The song is “Bagdad”:

 

1. Christine and the Queens – Chris

I cannot stop listening to this album. Daily, weekly, I keep coming back to it. Christine and the Queens is the stage name for the French artist Héloïse Letissier. She sings in French and English and her performances are heavily choreographed, taking on a theatrical production. She blurs the boundary of music and theater, male and female, sex and love. Dance tells one story, while words tell another. Her voice is seducing you while her body is pushing you away. It doesn’t matter what language she chooses, her message is still clear. Actually, her album was released as a double album, the first half in English and the second with all the same songs in French. I listen from top to bottom, from English to French, every time I play it. She can sing to me in whatever language she wants.

All that said, let’s hear some songs. In “5 dollars”, she shows hickeys, scratch marks and bondage equipment, all covered up in a 3-piece suit:

 

“It doesn’t matter, does it / If I know any exit / If I believe in god and if god does exist / If I believe in god and if god does exist” is sung over playful choreography in a parking lot. “Doesn’t matter”:

 

The first single off the album, “Girlfriend”, gives serious Broadway vibes. Some 80s musical with a sultry, blue-collar love story or something. I’d watch it.

 

Christine and the Queens performed a 30 minute concert for Apple Music live at the Salle Pleyel, Paris. For whatever reason, it’s no longer on Apple Music but I did find it on some sketchy website. So I highly recommend watching it but can’t vouch for the website.


 

There it is, my favorite 20 albums of 2018. Here’s to a new year of music!

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Posted by on December 10, 2018 in Lists, Music, Music Review, MYNIYL

 

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Favorite Albums of 2015

Now that we’re in December, it’s time for all the “Best of” lists from every blog/magazine. And for whatever reason, I have always added my list to the group but with using the word “favorite” instead of “best” because I don’t think I (or anybody else) is really able to say what is best. Also, I usually do only my top 10 but this year I decided to tell you about 20 albums. But in the effort of not taking too much of your time, I’m only going to add comments to the top ten. 20-11 will be just a youtube link to one of the songs from the album. That said, let’s get to it. As always, the titles of the album are links to iTunes. Let me know why my list sucks, what you would have added and taken away, etc.

20. Billy Gibbons & the BFGs – Perfectamundo

19. The Lone Bellow – Then Came the Morning 

18. Leon Bridges – Coming Home

17. Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats

16. DNCE – SWAAY

15. Adele – 25

14. Wilco – Star Wars

13. Brandon Flowers – The Desired Effect

12. Nate Ruess – Grand Romantic

11. MUTEMATH – Vitals

10. Ben Folds – So There

Eight incredibly fun songs recorded and written with the chamber pop group yMusic. A beautiful piano concerto written by Ben Folds and performed with the Nashville Symphony. All on the same album! How could this not be great? And that’s a rhetorical question because there’s only one option. It’s really great. Here’s Ben Folds and yMusic performing the track “Capable of Anything:”

9. The Milk Carton Kids – Monterey

I love this folk duo. They follow the traditional style of flat-picking harmonies. There songs are perfectly written, perfectly harmonized. You can barely tell if the songs were recorded this year or 50 years ago. And that’s exactly what they want. Everything I’ve heard from them has had the same emotional effect on me and all the tracks on this album are no different. Here’s their song “Poison Tree” that makes me want to cry every time I hear it:

8. Sara Bareilles – What’s Inside: Songs From Waitress

I’m always excited about any new Sara Bareilles music. She has perfected piano-driven pop music, she sings incredibly, and puts on a killer live show. I didn’t really know what to expect from her newest album. Let me explain. Sara Bareilles wrote the score for a musical adaptation of a movie titled Waitress. The musical was very successful and is opening on Broadway next year. But before all that happens, Bareilles wanted to record some of the songs from the musical as her own usual pop songs. And because of this we get a collection of her usual pop songs but with the storytelling of a musical. And Jason Mraz is featured on two tracks. So I loved it. Here’s “She Used to be Mine:”

7. Jamie Cullum – Interlude

Jamie Cullum continuously releases albums that explore connections between pop and jazz. He’s a prolific jazz pianist that writes pop music. Or a pop songwriter that plays jazz piano. Anyway, each album he releases falls somewhere different on the spectrum between jazz and pop. This most recent release is his first full jazz album. Recorded with a big band and IN ONE TAKE (!!!!!!!), the album consists of jazz covers and includes two great duets. Here’s the opening track, “Interlude,” performed live:

6. Alabama Shakes – Sound & Color

Although this album opens up with what I consider a pretty weak song, the second track, “Don’t Wanna Fight,” is so good, I would still put the album in my top 10 even if it only had this song repeated a dozen times. And the rest of the songs are just as good. I don’t know another band playing right now that is as rock and roll, as raw, as good as this band. To prove it, here’s the band playing “Don’t Wanna Fight” live:

5. Sufjan Stevens – Carrie & Lowell

After the electronic perfection of The Age of Adz and the hip-hop collaborations under the names S / S / S and Sisyphus (both with Son Lux and the rapper Serengeti), I don’t think anybody really expected the understated simplicity and beauty that Carrie & Lowell is. After his mother died of stomach cancer in 2012, Sufjan Stevens used his songwriting to explore his grieving, his relationship with his mother, and his thoughts on death. The song “Fourth of July” is one of the most direct songs on the album, dealing with his mother’s cancer and death, opening with lines: “The evil it spread like a fever ahead / It was night when you died, my firefly / What could I have said to raise you from the dead? / Oh could I be the sky on the fourth of July?”

4. Punch Brothers – The Phosphorescent Blues

Consisting of five of the most talented musicians in the folk and bluegrass worlds, Punch Brothers released another great album this year. Each album explores the boundaries of what bluegrass instrumentation can accomplish. You never really know what sounds they’ll be able to create with their collection of instruments and it’s always fun to find out. And on top of all this experimentation, they just write some of the greatest songs coming out right now. Honestly, I don’t know how they continue to pump out all this music because they all have relentless touring, writing, and recording sessions as individual musicians and with other groups. When do they get together to write and record? Who knows. But I’m glad it happens. Here’s the band performing two tracks from the album, “My Oh My” and “Boll Weevil:”

3. Florence & The Machine – How Big, How Blue, How Beautiful

I think Florence Welch has one of the strongest and most interesting voices in music. Her and her band’s first two albums have some of the most ethereal, beautiful, and haunting music out there. But their third album is a little different. More raw, more in your face, more vulnerable. It’s so different but exactly what you’d expect. The album cover is just a picture of her staring into your soul with nothing around her and that is precisely what the album sounds like. Nothing between her voice and your ears. It just drives right into you. Every track, every melody just hits you in the bottom of your stomach. And I couldn’t stop listening to it for a long time after the album came out. On top of all the great songs, the music videos were cinematography masterpieces. They are being released as chapters in a story titled The Odyssey and so far they’ve released 6 chapters. I’m not sure how many chapters there will be. Anyway, here’s chapter 1, the video for “What Kind of Man:”

2. Kendrick Lamar – To Pimp a Butterfly

Now if I would have attempted at making this list the “best of” and not my favorites, this album would have been number one. This is the most ambitious, most talked-about, most important release this year. On top of all that, it’s just a really great album. Blending hip-hop with jazz, funk, and spoken poetry, each track is an adventure. The lyrics throughout the album thoroughly dissect the experience of black Americans. Racism, hatred, hypocrisy, violence, religion, money, politics, police brutality, Wesley Snipes, drugs, Obama…Kendrick Lamar leaves no rock unturned. And with all this dense lyrical content, the album is incredibly playable also. So many fun jams, funky beats, and great raps throughout the whole album. Also, every time he’s played a track from the album on a talk show, it’s been incredible. All of them: his medley on the Late Show, SNL, and Ellen for some examples.  But his music videos are really where he hits hard. Let’s watch the video for “Alright,” which opens up with some spoken poetry and intense video clips, goes into a section of a song that’s not on the album, and then finally into the funky beat of the song:

1. Original Broadway Cast Recording – Hamilton

So I just told you guys about this recording last month. There really isn’t much I can add to what I’ve already said so just go read that post. But I’m still listening to it as much as ever. I’m still just as obsessed. I probably have more of it memorized than I’d care to admit. I closely follow Lin-Manuel Miranda through his whirlwind life showing up on talk shows, news channels, and television game shows. He freestyles on Fallon, he gave answers on Jeopardy, wrote music for the new Star Wars movie, and who knows what else. But back to the musical. Since it’s a Broadway play, there aren’t any music videos like all the previous albums. There are a few clips from the actual play but not too many. So instead, I guess I’ll just post the first 3 tracks from the recording. This will give you a pretty good idea of the music. The first song, “Alexander Hamilton,” gives us some biographical information and background story to Hamilton arriving in New York:

This brings us to Hamilton meeting Aaron Burr, his frenemy and the dude that ultimately kills him in a Duel. Really the majority of the conflict in the play is Aaron Burr’s desire to advance his career and how he blames Hamilton for most of his setbacks. That said, we don’t really see that conflict yet in the second song, “Aaron Burr, Sir:”

This brings us two the third track, “My Shot.” Lin-Manuel Miranda said he spent a year writing this song because he wanted every line to be perfect. This song encompasses his ambitions and his fears and introduces us to some of his friends. Listen:

From there it goes into the American Revolution and Hamilton meeting his future wife. After the war we get to the political battles between Hamilton and Thomas Jefferson, his sons death during a duel, and then Hamilton’s eventual death. You can listen to the whole cast recording on youtube. I highly recommend it. I mean, it is my favorite album of 2015.

 
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Posted by on December 10, 2015 in Lists, Music, Music Review

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

 
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