So, last year I somehow did not do my favorite album list. I apologize profusely. I’ll never know how to make up for it. Anyway, here’s my favorite albums of 2018. Number 20-11 will only be the name and a video, the top ten will have a few comments by me in addition to a video or two. Let me know in the comments what’s right and wrong about my list, what albums I missed, etc. Let’s go.
20. The New Respects – Before the Sun Goes Down
18. Florence + The Machine – High as Hope
16. Nathaniel Rateliff & the Night Sweats – Tearing at the Seams
15. Punch Brothers – All Ashore
14. The Suffers – Everything Here
13. Logic – YSIV
12. Lady Gaga & Bradley Cooper – A Star is Born Soundtrack
11. The Milk Carton Kids – All the Things That I Did and All the Things That I Didn’t Do
Yay, I finally get to talk about some music. I listened to Historian solely because of the name while looking at new releases one Friday. It took less than 7 minutes (the length of the first track) for me to realize this was something special. The heartbreak, the darkness, the hope, the light. The whispers and the screams. The loss of loved ones and the escape from others. All emotions, all of life was encompassed in these songs. The album was released in March and even though we don’t deserve more, she released an EP with her supergroup including Julian Baker and Phoebe Bridges: boygenius. Well, let’s hear a song. Here’s “Night Shift”, the opening track I mentioned before. If you have 7 minutes to spare, listen to the whole thing. You won’t regret it.
I first learned about Noname because of her verses on the last Chance the Rapper record. I didn’t know you could be so understated and calm while rapping some of the most intense lyrics around. I quickly listened to her first album and watched all the live videos on YouTube, especially her Tiny Desk Concert. Her vibe is consistently chilled. Her words are not. Here’s the second track of Room 25 titled “Blaxpoitation”:
This dude is criminally underrated. Classically trained vocalist for opera and stage, MAJOR. has a powerful voice that would be perfect singing anything. Secretly, I want him to play George Washington in Hamilton on Broadway (call me Lin-Manuel). MAJOR.’s debut album, Even More, is upbeat and poppy. It’s a lot of fun from beginning to end. He borrows influence from soul, R&B, theater, pop and hip-hop. There’s world beats mixed in. He tends to make big, bold statements about himself and what the world needs. For example, here’s how he introduces the album:
“Even More is my official statement to the world that hope in love, culture, and our future is not lost. Like my heroes Michael Jackson, MLK, & Stevie Wonder, I’ve accepted the charge to bring fearless love through every lyric, melody, & moment. The world is hurting. Even More is the solution.”
Let’s listen to “Honest”:
7. Cardi B – Invasion of Privacy
Being one of the biggest surprises of 2018, Cardi B’s debut studio album released to impressive critical acclaim and commercial success. Cardi B just has this presence that you can’t explain. Any verse from her is infectious. You’re required to listen. Whether you’re laughing or you’re shocked or even confused, you are still glad you did listen. NPR’s Ann Powers said it best: “She walks into a song and it changes.” It can be Maroon 5’s pop, Bruno Mars’ throwback funk or her own hip-hop. It doesn’t matter, she was meant to be there. The best example, “I Like It”, has her traveling between trap and salsa and R&B and hip-hop:
6. St. Vincent – MassEducation
Usually, I’m not a fan of most acoustic or stripped down albums. If you write an album with a full band, I wanna hear it with a full band. More often than not, these types of albums bore me. St. Vincent’s album MassEducation is an impressively lovely exception to this rule. In 2017, St. Vincent released one of the best albums of the year, Masseduction. Dark, sexy and infectiously poppy, I loved it. But when she stripped all the instruments and beats away and slowly sang the same songs over a piano, everything took a whole new meaning. The cute became sinister. The smiles became pain. Levels of emotion and sadness came out of the lyrics that were almost washed away behind the glitzy production of the original. Here’s a live performance of “Savior” stripped down to just a piano and her voice:
2018 was the year of Ariana for all the right and wrong reasons. She showed strength and resilience after 2017’s horrific bombing at her concert in Manchester. She experienced heartbreak with the end of her relationship with Mac Miller, happiness with her dating and engagement to Pete Davidson then (I’d imagine) indescribable sadness with Mac Miller’s overdose and untimely death in September. The next month her and Davidson’s engagement was called off. In the midst of all the drama, she released an incredible album, Sweetener. This sugary, intimate album is a perfect snapshot of this time. She teaches us how to see the light in darkness, how to breathe during the pain, how to love the unlovable. And none of this touches on “thank u, next“, the sweetest breakup song ever. But let’s listen to “breathin”:
4. Janelle Monáe – Dirty Computer
NPR’s number one album of 2018 and for good reason. This afro-futuristic, pop and funk perfection has everything: catchy melodies, woman empowerment, funky guitars, political jabs, sexual fluidity, black empowerment, anger and harmonies, love and science fiction. And on top of all this, she also released a 50 minute “emotion picture” to accompany the album. Every song on here is damn near perfect so I’m having a hard time picking which to show you. Do you want pop? Or hip-hop? Let’s just keep it sexy with this Prince-inspired anthem, “Make Me Feel”:
I feel like this is the forgotten album of 2018. When the best of lists started coming out, this one was missing from most (if not all). And as you can see from my high placement, I have no clue why. Leon Bridges was able to get everything that made his debut incredible and bring it into the modern world. He brought his unmistakable voice and vibe into today’s R&B, soul and pop. And he did it all while still looking like the 1950s dressed him. I’m mad at all y’all that aren’t listening. Remedy this, quick. “If It Feels Good (Then It Must Be)”:
I’m so happy to have found Rosalia this year. This Spanish singer seamlessly combines flamenco and pop music. Her traditional vibrato singing intertwines with trap beats, flamenco claps and Spanish guitars. She samples modern music like Justin Timberlake while telling the 13th century story of a woman accused of infidelity. El Mal Querer is a drastic shift from her debut album, a collection of flamenco classics performed with Raul Refree. I don’t speak Spanish and don’t want to translate songs so I have to guess what the songs mean based on the emotions portrayed by her voice. Frankly, it isn’t too hard. Enough with words, here’s “Di Mi Nombre”:
I mentioned sampling Justin Timberlake earlier. The next song has a Spanish version of “Cry Me a River” as the foundation. The song is “Bagdad”:
1. Christine and the Queens – Chris
I cannot stop listening to this album. Daily, weekly, I keep coming back to it. Christine and the Queens is the stage name for the French artist Héloïse Letissier. She sings in French and English and her performances are heavily choreographed, taking on a theatrical production. She blurs the boundary of music and theater, male and female, sex and love. Dance tells one story, while words tell another. Her voice is seducing you while her body is pushing you away. It doesn’t matter what language she chooses, her message is still clear. Actually, her album was released as a double album, the first half in English and the second with all the same songs in French. I listen from top to bottom, from English to French, every time I play it. She can sing to me in whatever language she wants.
All that said, let’s hear some songs. In “5 dollars”, she shows hickeys, scratch marks and bondage equipment, all covered up in a 3-piece suit:
“It doesn’t matter, does it / If I know any exit / If I believe in god and if god does exist / If I believe in god and if god does exist” is sung over playful choreography in a parking lot. “Doesn’t matter”:
The first single off the album, “Girlfriend”, gives serious Broadway vibes. Some 80s musical with a sultry, blue-collar love story or something. I’d watch it.
Christine and the Queens performed a 30 minute concert for Apple Music live at the Salle Pleyel, Paris. For whatever reason, it’s no longer on Apple Music but I did find it on some sketchy website. So I highly recommend watching it but can’t vouch for the website.
There it is, my favorite 20 albums of 2018. Here’s to a new year of music!